INTRO' TO PRINTMAKING
with Lani Zila: Eco Printing Series
2nd & 4th Thursdays / $160 per month or $95 per class
Explore the art of printmaking through traditional techniques and innovative, sustainable methods. Using both traditional and repurposed materials—including cardboard, Styrofoam, Tetrapaks, and Gelli plates—students will explore a variety of printmaking processes while creating unique editions and one-of-a-kind prints. Each class introduces a different technique, making this series a great way to experiment with printmaking while developing your own creative ideas.
Sep 3 & 17
Oct 1 & 15
Nov 5 & Dec 3
*See course descriptions below for techniques.
Save your spot Via Venmo
To Register Contact: Lani.l.hermosillo@gmail.com / 915-694-3666
*Collagraphs
Discover the rich textures and creative possibilities of collagraph printmaking. Participants build printing plates using everyday materials such as fabric, leaves, cardboard, and textured papers, then ink and print them to create expressive, layered artworks. This process is a great introduction for beginners and offers experienced artists plenty of room to experiment.
*Tetrapak Etchings
Explore intaglio-style printmaking using recycled Tetrapak cartons, such as juice or milk boxes. The metallic interior is etched with simple tools to create detailed line drawings. Once inked and wiped, the plate is printed by hand or with a press to produce beautifully rich, fine-lined impressions. This eco-conscious technique offers an accessible introduction to traditional etching methods with minimal setup.
*Kitchen Lithography
Discover an innovative, low-toxicity approach to lithography using aluminum foil, cola, and oil-based drawing materials. Students will explore the principles of grease and water resistance that make lithography work while creating their own prints without the need for heavy equipment.
*Relief Printmaking
Learn the fundamentals of relief printmaking by carving designs into soft linoleum or rubber blocks. Students will explore carving, inking, registration, and printing while creating a series of bold, graphic prints. A classic and satisfying introduction to the relief printing process.
*Monoprinting
Explore the spontaneous and experimental process of monoprinting, where each impression is unique. Students will experiment with a variety of approaches, including Gelli plates, plexiglass, stencils, textures, and direct mark-making, to create layered and expressive prints. This process encourages experimentation and embraces the unexpected, making each print a one-of-a-kind work of art.
Discover the magic of this inspiring artistic practice!
PRINTMAKING WITH LANI ZILA
eyenoki print by lani zila
A significant turning point in her career was becoming a teaching artist. This role not only rekindled her motivation to create art but also allowed her to inspire and nurture the next generation of free thinkers and artists. Teaching has enriched her artistic practice, offering new perspectives and a deepened understanding of the transformative power of art.
Artist Statement
As a multidisciplinary artist specializing in oil painting, printmaking, and ceramics, my work explores the intricate connections between nature, femininity, and the human experience. Drawing inspiration from the surreal and impressionistic movements, my creations often intertwine the natural world with the human form, presenting an otherworldly evolution of our environment.
Nature is a profound muse for me, guiding my artistic vision through its diverse forms and subtle intricacies. I depict the symbiotic relationship between humanity and nature, emphasizing the concept of biophilia – the innate affinity humans have with the natural world. My works invite viewers to delve into a realm where the boundaries between the natural and human worlds blur, showcasing the inherent beauty and interconnectedness of all life forms.
When creating prints or paintings, I immerse myself completely in the process. I begin with an idea or sketch, allowing the creative journey to consume me fully. In contrast, my approach to ceramics is more intuitive; I let the clay guide my hands, shaping organic forms inspired by coral, rocks, and other natural structures. These ceramic pieces often feature elements like mushrooms, moss, or flowers intricately integrated with human parts, reflecting the seamless blend of nature and humanity.
My preferred medium varies depending on the project. The concept of Mother Nature naturally intertwines with femininity, a theme deeply rooted in my work. As a woman raised by a strong female matriarch, I feel an innate connection to the creative force of life. Nature's call resonates with me, whispering through the wind, beckoning through waves and flowing water, and capturing my attention with its unique shapes and complex forms. Every rock, seashell, and breath of moss on a tree, every bird's song, communicates a profound message – that nature is not just around us, but it is an integral part of us.
My goal as an artist is to encourage viewers to look more closely at the world around them, to appreciate the overlooked details, and to recognize our deep connection with the planet. Through my art, I aim to evoke a sense of wonder and reverence for the natural world, highlighting the beauty that lies in its often unnoticed elements.
